RIYADH: After a successful collaboration between 15 Arab countries, led by Saudi Arabia and under the supervision of the Arab League Educational, Cultural and Scientific Organization, Arabic Calligraphy: Knowledge, Skills and Practices has been officially added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.
In addition to the importance of its use in religious texts, calligraphy has played a pivotal role in the advancement of the Arabic language throughout history. For centuries, it has contributed to the transfer and spread of Arab culture, customs and religious values, in the process instilling a sense of pride and belonging among Arabs.
Calligraphy remains extremely popular and continues to be used by artists and designers across a broad range of media, including paintings, sculptures and even graffiti, or “calligraffiti” as it is known.
Visitors to the Kingdom can see early forms of Arabic text in the ancient inscriptions preserved at historic locations such as the UNESCO World Heritage Sites at AlUla, and Bir Hima near Najran.
A symbol of Arab and national identity, Arabic calligraphy is deeply woven into the fabric of Saudi history. In recognition of this cultural importance, the Ministry of Culture designated 2020 and 2021 the Year of Arabic Calligraphy.
Commenting on the UNESCO announcement, Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan said: “We welcome the inscription of Arabic calligraphy, which is the result of the Kingdom championing this treasured aspect of authentic Arabic culture.
“Throughout 2020 and 2021, the Ministry of Culture has worked to preserve this important art form through the Year of Arabic Calligraphy, which has further cemented the Kingdom’s position as a global hub for Arabic calligraphy and the arts.”
The addition of Arabic calligraphy to the UNESCO list is a fitting end to the year-long celebration of the art form. It is the latest cultural treasure with connections to the Kingdom to be listed, after: Al-Ardah Al-Najdiyah, a traditional dance from the Central Region; Al-Qatt Al-Asiri, a form of interior wall decoration created by women in the Southern Region; Almezmar, a group dance from the Western Region; Arabic coffee; date palms; falconry; and majlis, a place where community members gather to discuss local events and issues.
Initiatives launched during the Year of Arabic Calligraphy included a ground-breaking exhibition at Riyadh’s National Museum that shed light on the origins of the Arabic language, the development of calligraphy, and the relationship between calligraphy, contemporary design and artificial intelligence.
The Ministry of Culture partnered with the Kingdom’s flag-carrier airline, Saudia, to decorate two of its aircraft with a special livery highlighting the initiative.